Springboarding off the launch of the new book, it looks like I’ll be giving a talk and Q&A in May to the Society of Illustrators, LA — which should be fun. More details to come in the weeks ahead, as the date and time are firmed up.

I think my opening line will be “Quick show of hands…Who here likes to draw?” Surely that won’t come off lame, right? Right?

(…Also: if I can, I’ll try to get an MP3 recording of the talk to share with you.)

For what it’s worth to share this, Flaco limply hanging in panel three made me chuckle out loud to myself. He’s really grown on me, as a character.

If you recall, Flaco originally was going to be a throw-away character and just leave the strip. But almost as soon as he left, folks began asking he be brought back for a homecoming and his first big adventure:

You can open these up in new tabs to read through… 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15.

That first Flaco adventure is one of my favorites…and re-reading it makes me feel like we’re due for a Saturday Adventure Storyline. 🙂

It’s rare that you see a new-fangled Webcomics format that truly enriches the experience of reading. More often than not, overly done Flash interfaces or “infinite canvas” comic-formats get in the way of actually reading the comic. You become very conscious of the act of reading.

But this comic caught my eye for it’s clever use of pans, wipes and reveals “within” panels. It takes a second to adjust to, but most of the time they really add to the experience. It’s worth checking out, if you have a minute.

This YouTube video had me smilin’ today. If you’re a huge nerd like me, I think you’ll like it.

Make sure you stick around for the little endcap. It’s worth a chuckle all on it’s own.

Wondering where the music comes from? If you hadn’t seen it before…it’s from one of the funniest Muppet sketches ever.

For cartoonists young and old out there, I direct you to this particular offering. It’s a little something close to my heart: My much-loved childhood collection of “Cartoonist Profiles”.

When I was growing up and dreaming of being a cartoonist, there was one journal that perfectly encapsulated my cartooning dreams, and that was “Cartoonist Profiles.” It was a quarterly publication for and about cartooning professionals. It featured interviews with all the cartoonists I loved, articles on tips and tricks, and all the little tidbits about cartooning you couldn’t find anywhere else. I devoured the in-depth interviews, particularly. These men and women were my heroes… and I wanted to know everything they did — everything — to become professional cartoonists.

Anyhow, today as I was reorganizing my studio, I came across all of my issues of “Cartoonist Profiles.” I hadn’t seen them in years, and I couldn’t help but smile. It immediately brought me back to the days when I would read, and re-read, and re-re-read about the cartoonists I loved and how they got to where they were.

But it occurred to me that these were going to waste buried way back in my bookshelf. They should be firing up the imagination of the next generation of cartoonists!

So I’ve put them out there with the hopes they can find a good home. I really don’t mind if they go for nothing — I’m more interested that they find the right cartoonist. So if no one ends up claiming them after a week, I’ll mail ’em out to the first young cartoonist who’d like to have them!

[EDITED TO NOTE: Something went wonky with the original listing, so I’ve reposted it. The link points to the new listing.]

Amid all my chatter about “How To Make Webcomics”, I’ve been very remiss in not mentioning the most beautifully illustrated book to come along in years: Kazu Kibuishi’s new work “Amulet”.

I drove out to Alhambra last week for Kazu’s book launch — and had a great time. Looking up close at his (gorgeous!) working drafts hanging in the art gallery, and chatting over his labor-intensive process for arriving at his final illustrations was a wonderful way to spend a night. Kazu is easily among the best illustrators alive — and this book the best expression yet of his talent.

If you’re a parent, a librarian, or even have a pulse, you’ll want to pick up “Amulet.” It’s a wonderful young adult story that all ages are sure to love. You won’t be disappointed.

Sheldonista Harriet noticed this on Alibris this weekend: A copy of Sheldon Book One, “Pure Ducky Goodness,” going for some ridiculous sum.

Lord knows how or why it’s listed for fifty-two smackers. I guess this is good news for all of you who have a copy: They’re goin’ up in value on the secondary market! 🙂

Re: Today’s strip…

I am so immensely happy the Writer’s Strike is wrapping up this week, if for no other reason than “Dance War: Bruno vs. Carrie Ann.”

Now don’t get me wrong: Even though I’m a grown man, I’m not immune to a well-structured talent show. I can dig ’em, when they’re done well. But with the TV writer’s out of work, the networks had to stretch the natural viewing length of a lot of these shows… and “Dance War” became an hour-and-a-half nightmare of Bruno’s ridiculisms (as I call them). That man, and that long format for that show, are both pain-inducing to watch.

To watch that show slowly, painfully unfold over an hour and a half is like watching Portabello Mushrooms grow.

Brad Guigar, my co-author on the “How To Make Webcomics” book, called me with some great news tonight: Apparently, our book reached number one on a couple Amazon lists today, and in the top ten in a few others!

Thanks for all the support — that’s very cool news!

And just a reminder: If you can, pick up your copy from the Sheldon Store, rather than Amazon. That’ll help all four authors avoid Amazon’s “unique” distributor cut.*

*Amazon gets 106.5% of the sale. The author gets to mow Amazon’s lawn. 🙂

It’s been great to see the excited response folks are giving the “How To Make Webcomics” book.

Before we’ve even had the chance to put up sample pages to show folks, we’ve had thousands and thousands of pre-orders. Thank you for that! It’s exciting to see that cartoonists and artists all over the world are really looking forward to the book. (You’re never quite sure, when you write something like this: “Will only my mom read it?”)

The good folks over at Comic Book Resources have an interview with all four authors, if you’d like to swing by and check it out.

Equally interesting have been the foreign-language writeups that I’ve been seeing about the book, via Google searches. I’ve seen tidbits in French, Portuguese, and Spanish — like this mention from Spain’s Público Newspaper site. (My secret hope has been to see this book translated into the French/Belgian “bande dessinée” book market… so any foreign-language writeups get me all excited.)

If you’re a librarian, and want to pick up copies for your district, the ISBN-13 number is: 978-1-5824087-0-5.

But librarians, bookstores and Sheldonistas alike can preferably reserve their copy direct from the Sheldon store, in one of four ways:

1.) The normal copy of “How To Make Webcomics”

2.) The Sheldonized Artist Edition of “How To Make Webcomics”

3.) 5-pack: All 4 Sheldon books + “How To Make Webcomics”

4.) 5-pack: All 4 Sheldon books + an Artist Edition of “How To Make Webcomics”