Login with Patreon
Login with Patreon

The Sad, Slow Decline of the LA Times

The LA Times is a great, great paper. Not a “national” paper, perhaps, in the same way that the NY Times, the Washington Post, or the Wall Street Journal are, but darn close.

The breadth and scope of its reporting in the last decade has been impressive. The paper has won a slew of Pulitzers for its in-depth reporting; it has a wonderful stable of in-house columnists; it’s one of the last multi-page comics spreads in the U.S.; it’s one of a handful of papers that maintains a stand-alone “Books” sections in the Sunday paper…and the list goes on and on.

But it’s slowly dying. Or, better put, it’s shrivelling down to a lesser version of itself. And it’s sad to watch.

The paper is certainly not “dying” in the financial sense. Like a lot papers, the profit margins at the Times still outpaces most Fortune 500 companies. But ever since it moved from family ownership to Tribune corporate ownership, it’s been under steady stockholder demands for increasing profitability. Tie that to the slow trickling away of readership and the ad dollars that go with it, and the Times’ corporate management finds itself cutting staff, cutting features, cutting print runs, cutting columnists and cutting cartoonists.

And cutting…and cutting…and cutting. And it’s sad.

In a lot of ways, the LA Times is the reason I decided to refocus Sheldon solely on the web. Living in Los Angeles, I could see the writing on the wall as far as making a living in traditional newsprint…just by looking at my local paper.

But when I picked up my copy of the Times today, the paper itself was so thin. It’s not just the missing reports and features that I find myself noticing. The overall paper just feels smaller.

All of which, of course, will drive away the next batch of readers who once took the paper. Which in turn will drive the next round of cuts to staff and features.

Bums me out to watch it happening.

Little Moments of Humanity

Some of my favorite moments in the strip are when the characters drop their guard a little bit, and we see glimpses of their bruised humanity. It doesn’t happen often, but those strips carry a bit more meaning than most.

If you haven’t seen them before, take a minute to read the two-week storyline where Sheldon reminisces about his parents…or the two-day arc where Gramp thinks back on his his wife. They’re both nice moments.

Neat!

In fun news, über-librarian Jana Atkins writes to report that the Univ. of Central Oklahoma’s Chambers Library is picking up a number of Cuban CDs based on my earlier post. Jana’s ordered a copy of all the Cuban musicians mentioned, and two copies of Celia!

Drop by the library and check out their collection of Cuban tunes — you won’t be disappointed! And thanks, Jana!

Awwwkward

Congratulations to the Sheldon e-mail subcribers and very early-in-the-mornin’ Sheldon readers! You were the lucky winners in the “How Unnecessarily Large Can Dave Make The Strip Look?” Contest.

It seems that I accidentally uploaded the book-ready strip (600 dpi tif file) rather than the web-ready version (72 dpi gif file), and it ended up looking like THE LARGEST IMAGE EVER TO APPEAR ON THE INTERNET.

My apologies! It should be cleared up now.

Though my embarrassment will probably linger for 25-30 more minutes.

The Monkey Wrench

I’m curious to see if there’s a Sheldon reader out that who’s good at explaining fulcrum points and torque and basic physics to me.

…Why is the Monkey Wrench so damn effective in loosing/tightening nuts?

To back up for context: last night at the ol’ Kellett house, our water heater connections all decided to put on a water-and-light extravaganza, a la the Mirage Hotel in Las Vegas. So, like any good husband would, I pulled out the ol’ plumbin’ tools and got to work.

It’s always fun to have an excuse to pull out my Monkey Wrench: I feel like a true “dude” with that baby in my hand. But, as happens every time I use the monkey wrench, I was amazed at how incredibly effective that tool is. It can give a four-year old boy enough torque to build a river-spanning steel bridge.

But what’s the Monkey Wrench’s secret? What key part of a Monkey
Wrench gives it that torque? Is it the weight? The way you grip it? The teeth on it? It’s zest for life?

If you have a simple explanation, let’s hear it over at the SHELDON FORUM.

Caffeine for your Ears

One of the advantages of marrying into a Cuban family is finding out about all the awesome Cuban Salsa and Tropical music you never knew existed.

Putting on some really good Tropical is like caffeine for your ears….it just makes life go with more energy.

Benny Moré, Perez Prado, Buena Vista Social Club, Afro-Cuban All-Stars…all great stuff. But the best of the best, in my mind, is Celia Cruz. This woman could SING. Especially in her later years, when she had this fantastic rasp to her (really powerful) voice…she just sounds amazing.

If you’re in the mood to try a little música cubana, and aren’t familiar with Celia Cruz, pick up a few sample tracks. Here are some of my favorites:

Azucar Negra
Por Si Acaso No Regreso
Cuándo Volverá
Tu Voz
Feliz En Tu Dia

One of my favorites…

In re-arranging the storage files today for the Sheldon originals, I came across this strip, and wanted to share it.

It’s really one of my favorite strips.

Theatrical Goings-On

Theater-lovers! Two announcements of great import!

I’ll be in two plays in LA and NY in the next few months…

The first, “Bedtime Stories,” is a series of world-premiere one-act plays at the National Comedy Theatre, 733 Seward St., Los Angeles. Five of the one-acts are written by my wonderful wife Gloria, and the sixth by “How I Met Your Mother” co-creator Carter Bays.

Get your tickets here!

===========================

The second play will be in New York in May: “Skirts & Flirts” will have a one-week run at The Kraine Theatre 85 East 4th Street, NY, NY 10003.

Tickets for the show can be purchased in advance here.

The casts in both plays really shine, with actors from My Name Is Earl, Spiderman 1 & 3, Malcolm in the Middle…and one immensely attractive cartoonist.

If you’re in your 20’s or 30’s, you’ll especially dig both plays…so come on out!